There are as many ways to describe a kiss as there are snowflakes in a storm. But if you want to produce an effective and well-written kiss, it’s vital to establish the scene and create a build up, as well as a powerful description of the kiss itself, to ensure the kiss has emotional resonance to the reader or listener.
Setting the Scene
Choose who is going to be kissing whom. Maybe you have two characters who have been orbiting each other for a long length of time, or two characters that suddenly recognize their affections for each other. Regardless, it’s vital to pinpoint which two individuals in your tale are going to pucker up so you may change the point of view of the story to them.
Keep in mind you don’t necessary have to include two people kissing each other, as it could be numerous characters kissing each other or one person kissing themselves in the mirror. In any instance, it’s a good idea to identify the characters in the kissing scene.
Determine where the kiss is going to take place. The environment for the kiss is significant since the atmosphere will inform the tone of the kiss. In writing, mood is a literary aspect that produces specific sentiments or vibes in your audience via words and descriptions. Think of it as the environment your characters are moving about in or kissing in.
By figuring out the environment of the kiss, you may produce a lot of suggested meaning. The location will assist you develop a specific mood or atmosphere, and you may show your audience a certain mood, as opposed to telling them.
For example, a kiss in a dark empty parking lot has an entirely different vibe or ambiance than a kiss during a party. One setting conveys a more intimate ambiance while one setting implies a more exposed or open tone.
Think about how the kiss is going to take place. Are your characters going to be alone or surrounded by others? Is one character going to be more pushy or eager for a kiss in the scene? Will both characters know the kiss is coming or be entirely startled by it?
This is an excellent chance to also think about how your characters are going to be positioned in the scenario. Maybe one individual is going to be standing near someone else in a room. Or maybe both characters are going to be seated side by side.
Think about the physical presence of your characters and how they are going to move about in the kissing scene.
Consider why the kiss is taking place. This is actually a time for you to think about the motives of your characters and why they might end up kissing one other. If they dislike one other throughout the novel but suddenly wind up in a deep, sensuous kiss, this may not be particularly convincing for the reader.
Re-evaluate how and why you have reached this stage in the plot when the characters are in a kissing scene. Did you develop their connection properly in the early portions of the novel, so a kiss between them seems sense? And if you are trying for the element of surprise, ask yourself whether you generated enough character details so the kiss would strike readers off guard but will not throw them out of the tale.
Creating a Build Up
Build on existing tensions between the characters. While it may be tempting to merely put two characters together into a locked room or dark cave, where they will finally succumb to a kiss, a more effective strategy is to leverage prior tensions or continuing problems between the characters to create a realistic build up to the kiss.
This might be a prior love that returns in a someone’s life or a previous scenario when one character observes another character do something that they find appealing or captivating. Remember, a kiss is typically an indicator of want, so make sure your characters desire each other, if only for a minute, to make the kiss feel real.
Don’t ignore all the hard work you’ve put into building up your characters. Instead, utilize characterisation to your advantage and build off of past conflicts or situations to generate build up.
Put both characters within close vicinity to each other. Now that you’ve shown how a prior dispute has prompted both characters to contemplate kissing one other, it’s vital to position both characters within kissing distance.
You may achieve this by having two characters inadvertently bump into one other, or have one character intend to run into another character. There are various ways you may move your characters physically so they are in a situation and atmosphere that seems proper for a kiss, but the objective is to bring them near to each other.
Focus on the bodily motions of your characters. A swift, fast approach towards each other will likely imply great yearning or desire, while a slower, more strained move towards each other would likely reflect a more unstable or doubtful passion between the characters.
Have one character notice something new or fascinating about another character. Because you now have your characters within kissing distance, they have the chance to observe minor characteristics on the person’s face or neck. Your characters are viewing each other in a new, personal manner, therefore represent this by giving physical details of something not observed previously.
For example, your character may notice the other character has a particle of green in their eyes, a freckle on their nose, or a minor birthmark on their neck.
Describing the Kiss
Use the five senses. Rather than just throw out a whole number of words to describe the kiss, concentrate instead on how the kiss is influencing your character’s sense of sight, hearing, smell, touch, and taste. This will make the descriptions seem particular to your character’s point of view and guarantee you are hitting all the sensuous qualities of the kiss.
Sight is arguably one of the simplest senses to convey; just explain what the character is seeing throughout the kiss.
Sound might be background sounds like music at a party or the character’s loud, enthusiastic heartbeats. Depending on the length of the kiss, you might add incorporate gentle sighs or other sounds of pleasure (or disgust), as relevant to your character.
Smell might be what your character detects in the air or on the other person when they kiss them, such as perfume, cologne, or a natural aroma.
Touch is a very vital part of describing a kiss. Focus on tactile elements like how the character’s skin feels and how their lips feel.
Taste may be wide or highly particular when describing a kiss. Keep in mind characterizing a kiss as sweet means it was pleasurable and describing a kiss as sour or bitter implies it may not have been enjoyable at all.
Use body language. Think about how your characters are moving their bodies when they kiss. Body language will also help your viewers know how the characters are reacting emotionally to the kiss. A physical response like withdrawing or pushing away from the kiss would convey different feeling than a bodily reaction like falling or relenting to the kiss. The best method to employ body language in the scenario is to concentrate on the motions of certain body parts:
Lips: possibly the most significant physical feature in a kissing scene, emphasis on the texture of the character’s lips or how they feel against another character’s lips.
Tongue: another extremely essential physical component in a kissing encounter that might imply forceful desire (plenty of tongue) or uncertain, delicate desire (no tongue) (no tongue). Think about what style of kiss you’re aiming to express and add or do not include tongue descriptors appropriately.
Heads: typically individuals tilt their head to one side when they kiss. Of course, if you’re looking for a more uncomfortable kiss, it may be advantageous to have a moment of bumping foreheads.
Eyes: are your characters’ eyes opened or closed? Open eyes frequently suggests a shocked emotion or a distant reaction. Consider the feelings of your characters and decide from there.
Noses: bear in mind that despite your characters may bend their heads when they kiss, their noses will likely still brush against one other or against the side of their cheeks.
Hands and arms: during the kiss, a character’s hands might be up in the air (typically signifying an unpleasant or unexpected kiss) or wrapped around the character’s torso (generally an indicator of a pleasurable kiss) (usually an indication of an enjoyable kiss). They may also run their fingers through a character’s hair, grasp the back of their head, stroke their lower back, etc.
Discuss how the kiss finishes. Your characters can’t lock lips forever! Somehow, one character or both characters have to draw away from each other, or be interrupted and be forced to pull away from each other.
If the kiss comes early in your novel, you will likely need another problem to develop to complicate the kiss and provide enough suspense to keep your audience engaged.
If the kiss comes towards the conclusion of your novel, think about how your characters could feel after the kiss and how the kiss impacts their sentiments towards the other character.
Tell me about the very first time you kissed someone.
“Long-awaited, wet, hot, with a lot of tongue — I was 16 when I kissed a really good friend who I had a crush on. It was a kiss with a lot of tongue. We slept in close proximity to one another. At one point, our faces were pressing up against one another, and I was able to feel his nose pressing against mine as well as his breathing. The whole time, I didn’t even bother to open my eyes.”
How exactly does one go about writing a steamy makeout scene?
- The use of metaphors is essential…
- Before you start kissing, you should work up as much tension as possible…
- Pay attention to the field of psychology.
- Consider the act of kissing as if it were its own story, complete with an opening, a rising action, and an exciting conclusion…
- Make the couple’s first kiss an eye-opening experience…
- Consider the events that both of your characters have been through.
How would you explain a kiss to someone over text?
The ability to paint a vivid picture for the reader is one of the most crucial components of a good story. 2) Tongues: Moist and warm; tracing the lips, teeth, and tongue; graceful and smooth, or tease-inducing. 4) Changes to the face include puffy noses, flushed cheeks, reddened ears, and wrinkled or relaxed foreheads.
How do you characterize a tongue kiss?
A kiss in which one or both participants use their tongues to stimulate each other’s lips with the purpose of achieving mutual sexual satisfaction is known as a French kiss. This kind of kiss is also often referred to as a tongue kiss, a deep kiss, or making out.
How do you characterize a lip kiss?
Smooching isn’t the most enjoyable experience with either a jaw that is wide open or one that is tightly clenched and puckered. Maintain a comfortable distance between your lips so that the kisses may be gentle and in-depth, and be sure to keep the muscles in your mouth relaxed. You are intrigued to find out what the kiss has in store for you.